“DEAR ‘QUEER THE PAGE'{MERSEYSIDE LGBTQ WRITING GROUP}”

STEVEN BENSON. 26.4.24. LIPA/WOW.

Dear “Queer the Page”,

Little did I know, when I set up this group, nine years ago, with a colleague,that it would:

Transmute

Transform (itself/people)

Re-configure in winding ways.

And, indeed, dear Merseyside LGBTQ(18+) Writing Group,you helped to EN-queer (to coin a word, queerly, athwart a verb…)a drear, dark demesne: hetcisbania.

Thus, myself, I sought sanctuary from the gargantuan giant of an oppressive, occluding writing group, controlled by the HETCISHEGHOG. I FOUND that haven in you, dear “Queer the Page”!

And, so, we have capered copiously on a Maurician mountain-top of gaiety and queerness; nay, on its very pinnacle.

To extemporise and explicate the definition of “queer”:  we have 

Played with and

Performed :

Characterisation

Imagery

Structures { and [square] brackets}.

Shaken it all about: the hetcisheghog, I mean; that prickly bastard.

So, all is not as it seems, but strangely/comfortably just IS.

Dear “Queer the Page” attendees, writers, facilitators and Co-Organisers: you and I have magicked all this out of thin (hetcis-normative) air..

Battered (creatively!) on the intransigent sides of the JUGGERNAUT, expanding language(including Polari and variants thereof) style and much more.

Dear Queer the Page, we have encoded; we have hidden in plain sight(in the glass closet); and we have openly CELEBRATED down the fey hetcis throats, ostengayitously, as we fructified fruitfully(if tautologically) in words, beautiful and arcane.

That we can and DO thrive, sometimes tremulously, but often THUNDERINGLY, is, dearest Queer the Page, thanks-at least, partly-to your encircling girdle of warmth,and safety.

So, we raise words and language back to the utmost summit of queerness and gaiety, their rightful place,whereon they cavort cascadingly.

Love, and thanks, Steve; literary and social activist.

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QUEER CREATIVITY: an attempt to encapsulate-rhizomatically-in one sentence

QUEER CREATIVITY:ATHWART ONE WINDING SENTENCE

BY STEVEN BENSON. FOR  ‘QUEER THE PAGE’/WOW/LIPA performance, May 2024.

Queer creativity is an eco-system, self-sustaining, self-

promulgating; a weft of threads, weaving and woven into 

one thick twine, (tautologically) thrusting its very survival, 

[from “counter”-narrative to “we are here!”];so that our 

entwined voices, the POWER of our what-we-are-together, 

in our unity-in-difference,becomes an engirdling, 

encircling protective, safe demesne, as we rock {and we 

DO rock:P} and sway, in a raucous rodomontade of 

boastful beauty; telling them/it-the HETCISHEGHOG-

(defensive prickles and all)that we can and SHALL be our 

queer creative, celebratory (yes, and, sometimes, sad) 

WHOLE selves[colon/hyphen]: in ONE concordantly cacophonous, 

joyous fugue[FULL STOP]

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MIRRORS:(IN/SEMI-)VISIBILITY, as a gay man/gayman:A psycho-socio-cultural framework to my experience of memory and (in/semi-)visibility

BY STEVEN BENSON.

I am (mainly visible), in that I “out” myself in situations where other gay men think it “not relevant”{unpick THAT complexity…..that is another post, if I can be bothered…}.

This can cause divisions between gay men: partners, husbands, boyfriends, casual hook-ups, friends with benefits, friends

I have seen all(most) permutations and contortions.

No blame/judgement implied or made, in a psycho-socio-cultural (sometimes religious)context of repetitive strain BLUDGEONING

I STRESS NO judgement; because I am anxious: I have met with the ire and envy of some less “overtly gay” gay men; I have even met with their revenge( a subject I do not want to discuss!)

Last month we looked at memory, and, significantly, MEMOIR: this is a minefield for a gay man/for this gay man for obvious reasons [a priori: for WHOM am I writing this…..].

False memories are imposed on us, QUA us being gay men; significantly and often traumatically, core, formative childhood memories are

Occluded

Twisted

Tortured(by, and in effect…){hence why reclaiming “queer’, from Latin “torquere”, “to twist”, should not be attempted without much thought….}

Mediated by hetero-norm IMPOSITIONS on us; and secrets(“secrets”): lusts and loves of which we cannot tell. Not many books are written on this mass socio-cultural trauma{though there is “The Queer Child”, Kathryn Bond, 2009}.

They really do not want to acknowledge what they have done to us (especially, but not confined to, in relationship to our childhoods)

It is not that I simply do not want to talk/remember ANY of this memory/false memory/INVADED memory; it is just mainly painful, with glimpses of shimmering shards of rainbow loves and fancies.

——————————————————————————

SO: where am I?

OK, back to (IN/semi-) VISIBILITY issues

It is CRUCIAL that by making such unfurlings (as this post)we do not further divide and rule ourselves as gay men; but, also, (in the context of an LGBTQ writing read-aloud group) that I/we recognise every individual’s experience of these problematics is different(with contrapuntal/parallel lines of sharedness); that the lesbian, gay male, bisexual, queer, trans, non-gender binary, a-romantic/a-sexual, inter alia communities, and, then the ACTUAL INDIVIDUALS, aka PEOPLE in those {sub-?}communities are, indeed, and obviously to us(but not to ,most of the stereotyping/invisibilising het and cis norm denizens)PEOPLE/HUMAN/VARIEGATED/complete SELVES.

Viz. we all (don’t/half-/pass-) cope/manage/thrive {varying degrees thereof}.

SO, in peroration, we are all fine(or it is ok to be ok, or not ok): be we subtly, semi, fully (in)Visible.

————————————————————————————-

POEM; TO FINISH(for now):

Mum’s larder [op cit]

Mum’s loving

Closet

Cocooned

(Comforting-constricting);

then:

zig-zag(in /out)

JETISONNING;

Jig-sawing my

GAY

SELF

Into one

Interlocking

Piece

Pace: the

HETERONORMS

Twisted

Tentacles

{the hetheg is the twisted one, he said; not I}:-

Colon/hyphen

I GOT there…

Here

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PRIDE HOUSE FOR THEN;PRIDE HOUSE FOREVER.IN CAPTURES AND MOMENTS. BY STEVEN BENSON

It opened: I was there (so was Rylan:P)

Monolithically(for a change..)lgbtq

We did!

We began to make progress…….

We WERE open… not many came(yet…); but our Pride/LGBTQ family began….

I set out our (Merseyside LGBTQ) stall(first version)

We got a sign pointing upwards to our stall (and all the others)……..

I waited…….

Ratte drew two radiant birds: Peacock and Phoenix; this was starting to look like an intensely-hued rainbow…….This was beginning to feel like Home; specifically, an lgbtq home

In one room was an exhibition of lgbt peoples’ homes, of yore; a trace, a lineage……

The Proud Marys came to sing: just the way you looked tonight, will you still love me tomorrow….

The Bookshop was next to us: an inspiring, heartwarming selection of children and young adults’ books, which, poignantly, we wished WE had had(to encourage and solace us when WE were younger…)

The book was gay; we queered up; and we were a rainbow parade

Jeremy and Ratte ran fabtastic workshops; Ratte’s ‘zines adorned our table.

Bach, Tschaikowski(gay) and Metallica appeared in our “songs/music{not necessarily Eurovision} that inspire you” as our phoenix feathers;and (pictured)Ratte’s extravagantly, flamboyantly radiant bird

then, as suddenly as it started, it ended: in sad exchange of hugs….and…a rush of strangers to the toilets(for the Eurovision final); a series of hurried photos of each other.

Now, the Pride House is part of MY house; I am trying, with all my heart and soul, to make it transfer to my bricks and mortar (-hopefully) more permanent home; it is hard: betwixt and between/athwart homes; it is complex for lgbtq people:


In the hallway to my home, Pride House(home) lives-if in representation;it lives on my bedroom/archive door too.

Home-and Pride-are mooted, mediated psycho-geographical spaces for lgbtq people.

I would LOVE/I NEED a longlasting LGBTQ home: of camaraderie and harmony(noting differences). It may be a dream: I- currently,anyway- have not the energy to make it happen(I need all that-contradictorily- to maintain our (semi-)Nomadic, half-sporadic Merseyside LGBTQ Groups’ spaces and events.) One day?…..

______________________________________________________________________________—–

Meanwhile thanks to all the (volunteer!)Merseyside LGBTQ Organisers, Hosts and members who staffed the stall, with care and commitment; we had -(lgbtq)-family; we had fun:)

Thanks,also, to LCR Pride, RIBA North and Ninja Coffee and everyone who made it happen; those 12 days were some of the happiest of my life.

As Siegfried Sassoon wrote:

“O but everyone

Was a bird; and the song was wordless; the singing will never be done”

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HOUSE/HOME OF PRIDE. IMPRESSIONS: OF “PRIDE HOUSE”, LIVERPOOL, MAY 2023.

BY STEVEN BENSON

{ pictures to come, if I can wade through the techno unhome}

Eurovision popped up

The Pride House was a pop up

Home-for this homo-was moot/liminal, as usual{I cannot even fix on a tone or style here}

A new neighbour-Godsquad-moved in; the fear of the unknown{the church-of which she was a member-was homophobic}; she “gave out” leaflets to coax us, then, as the linked website proclaimed, us gays would be bullied into seeing the true light/life.

So, I needed Pride House.

I have ALWAYS needed and forever WANTED Pride House. Whether it shall come to be- in any permanent form-is in the laps of the gods of Mammon and lgbtq politics…and, perhaps, some agency by me, and true others…

As, I said, it popped up: one Monday night, in May, it was launched. It had a rough approximitisation to all my gay male and queer psychogeographical templates and projections:

It had:

a cafe, run by a gay man;

a children’s/young adult bookstall, which showcased, on this occasion,

LGBT/QUEER young adults’ books{I wish I had had those when I was a boy/teenager}

events and workshops:

The Proud Marys’ lgbt Choir, singing poignant and joyful songs of GAIETY.

Lady Sian, of local drag queen fame, with her “psychic” bingo, aka just bingo{but such fun….}

Our Creative Writing Group facilitators running ‘zine and Queer Joy workshops.

A session on Polari, including writing a poem in that fabulous hybrid language created so that gaymen could talk to each other-sex and gossip,across the void, the abyss-of legal and social illegality and ostracism.

And an LGBTQ read- aloud -and- discuss-your-reactions-to-the text session.

We sat at our stall-MERSEYSIDE LGBTQ Groups- about 10 of us in total: we coaxed people from the outside INSIDE; we talked to people re our radiant groups; we captured people who really just wanted the toilet{next to our stall!}; we got many to engage in a Peacock/Phoenix writing challenge: music they loved and were inspired by , attaching the slivers of paper to emulate the tails of the boisterously-coloured birds(Eurovision- I forgot to say the stimulus for Pride House was Ukraine’s Liverpool Home {sic, used ambivalently}to host Eurovision {in reality, Ukrainian stalls were hemmed into a dingy corner of the massive Eurovision, mainly capitalist superpower; how sadly ironic}; we worked as a TEAM, Merseyside LGBTQ I mean. I thought we were the most homely yet beautiful stall; no corporate logos.

It was an extravagant blur(certainly looking back a week later).

I think think was because a lot happened in a short time(particularly in the second week); the twelve days of Gay Christmas.

LAURIESTON HALL Gay Mens Weeks are the only equivalent (in MY life, hitherto, anyway) for any sense, AT ALL, of continuity-spatial and temporal- of GAIETY and QUEERNESS.


Advertised as a safe space (for all) it was, according to an Article in the New Statesman(who interviewed LCR Pride’s CEO), the FIRST dedicated OVERT lgbt safe space in ANY Eurovision year EVER. That is some achievement. Of course, thehetcisheghog says, Eurovision is, de facto, an LGBTQ safe space….This is, of course, the favourite tired old speech-threat of the glass-closet/hiding-in-plain-sight brigade of (internalised) homophobes; we accept you; you are there; just do not thrust it down (“our fey, straight throats, ostengaitously”{quoting myself}…), announce it {this is platform 3, for all stations to gay and queer and lesbian and trans); you know the specious spillage the hetcisheghog cannot help but spew.

Parading, gloriously, around, dressed as a walking glitter-ball is not the same as OWNING a very intrinsic and important part of your selfhood.

NO, we NEED a safe space…to do this fully and, well, safely….On this (first occasion) we got one.

I mean, dear, vada the lallies on that lily-law polone; yes, the police WERE there(including hordes of cadets): to guard us? I suppose so; but, then, they HAD harassed and bullied us for years and years…complex…Anyway, they kept stealing our sweets….. reparations, I call it, as I eventually told one we were running out of them, so they could NOT thieve any more… Mind you, quean, I DID get a lovely free book from the winner OF GAY/DRAG bingo, a lovely policewoman; the title:”Queer Spaces”; oooooh, the irony.

______________________________________________________________________

{I am really going with the flow here; but it is all so tempting to want to wrap it up; it happened for twelve poignantly precious days, then it was gone in a puff{sic} of smoke, dismantled ruthlessly, the crowning laying-to-rest being(yes..)-Evangelical cult leaflets left ostengodsquadly on a remaining Pride House totem; they tried to get us; one of 69 reasons we NEED a safe space….(that is a depressing thought-so I probably won’t ever write it-post in itself)}

Oh yes, then I wrote about it and signed it off to oblivion at worst, affectionate memory at best.

————————————————————————————————————–

But, there MAY (there also may be NOT…) an ejaculatory THRUST into the future of the seminal idea…. talks may be afoot; they may not.

Meanwhile, let the GAIETY/QUEER train{I SAW the Pride train at Crewe only four days after the demise of the Pride House, in some odd, redolent after-capture}rest awhile, at Adlestrop or Liverpool: I hope not unwontedly or a one-off call at an obscure stop-on-request station. Because, all the birds (Liver and more..) of Merseysideshire sang for a while as they flocked to their lost home,and roosted there, claiming it back as theirs… and ours…

RIP Pride House; long live Pride House.

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THE PSYCHOGEOGRAPHICAL SITUATION(ISM)OF GAY MEN:AND ME QUA/AS A GAY MAN

  1. gay male positionality is determined by our oppression, socio-psychological forces, interlaid into the self. Our situation.
  2. Industrial capitalistic organisation of society exploits gay men in a parallel, non-hierarchical(non workerist) way to, eg working class people. Thus, in order to survive, or perhaps thrive, in the marketplace of competitive capital, we may well have to wear a cloak, be not our true selves, self-chameleonize, in order to not, for instance, be sacked on specious grounds (indirect discrimination); or,we may have to pretend to be straight to obtain promotion {I reckon this is, thankfully, less of late, especially since Blair’s reforms, but still exists in various industries and professions, particularly the more masculinist ones; in the UK anyway}. Our situation.

This fits the two common (working) definitions of Situationism.

SO: gaymale psychogeography is, structurally at least, a unionisation of the self and the our comrades(other gaymen), an (attempted sometimes)emancipation from forces of capitalist enslavement; which spreads its slimy tentacles, in order to transform into its own replicants, ie agents of heterosexism/norms, Stepford-wiving their tasks of straight-acting or “not-making-a-big-deal-of-being-gay”(viz. HOMOnormatively).

We free ourselves, as best we can ; sometimes nearly fully by:

Changing our internal and external landscapes(rural, as well as urban; {the rural MOST needs our attention:it has been WRESTED off us gaymen as an unsafe, reactionary, possibly homophobic, massive no-go zone: just read “On the Red Hill” by Mike Parker, 2019:the classic, perhaps the ONLY work of Welsh gaymale psychogeography, the struggles-with intermittent success- of two generations of gaymale couples to feel they belong in the agrarian Welsh heartlands of Machynlleth}as gaymen:THIS is our life-work. It is a mammoth boulder we chip away at.

The aim being, of course, to find ourselves, as individual gaymen, as well as a collective/community of THE GAIETY, in a NEW, situation(ism) of re-configuring the self, and re-drawing the map.

How do we do this, in a rural environment? I have talked, previously, of gay male cityscapes:

I live in an ex-gentrified, fairly LGBTQ-friendly/populous area of a CITY; what if I lived in Machynlleth, or the highlands of Scotland….?How do gaymen escape the trope(like most tropes it has come from reality) of escaping rural oppression and self-obliteration to the city, with its counter-cultural GAY nightlife, inter alia:”Smalltown Boy”.

There ARE positive exceptions: Britten and his lover and boyfriend, Pears, lived an overtly homosexual (not QUITE-fragrantly-flagrant:P) in rural Suffolk (Aldeburgh)….[Sebald lived in rural Suffolk too, largely an exile from himself, in many ways: THERE is an inference….!!!!!!]; but they were backed up-rarely so but true-by Establishment power and reverence: the Bloomsbury syndrome, if you like.They were posh…

But mainly, a gayman, living in Ruritania……They think they own it/the place; THE HETEROSEXUALS (It seems to be Ian Everton, “Alienation”, Gay Mens Press, 1982, who first articulated this granite-block phrase….). I mean they DO(own it; unless we put on our cloaks). OK, you can have sex on the hillside(because there ain’t always a warm welcome there….); but can you live as an openly gayman or openly gaycouple there; often NO.

Perhaps we start from our (relative)stronghold in the city and move outwards, in a transcendentalised version of urban sprawl, to occupy urban( the suburbs), and beyond into the wholly rural.

So/I/gaymen/my colleagues and co-architects and co-archeologists of the gaymale self,-the rare delvers and dreamers (and realists!) of gaymale psychogeography- are true revolutionaries: we lay out the plan, we even start to live in it (I literally live IN a gaymale archive, my bedroom; I fully {re-}inhabit the traces of gaymen of yore in my living/dream-space. It is geographically small but it is extant and real).

There is much debate and soul-searching on WHAT IS psychogeography, what is gaymale psg, what is Queer psg(and what is the relation to gaymale psg). Personally, I strongly believe there is a clear difference between our human rights- AS gaymen rights, qua, as a “grouping”- to mark out and (re-appropriate) these territories of the heart/soul and environment; and our individual needs-within the collective nomenclature of gaymen-to define them for our gaymen-selves, ie for each of us individually.

A friendly debate, thus wise and aslantwise, is already ensuing with a friend on this subject, which may(or may not…hopefully, it SHALL; EVEN more important-and often lost in the need to mark one’s place in (gaymale) history-is the PROCESS of the debate/the conversation)lead to a massive small(ish) tome, to monumentalise our struggle and rebuilding of all kinds of landscapes, interior and exteriors, with (tautologically!) rhizomatic strands, in contrapuntally interlinked separate and dialogical chapters.

But (whatever, and all) genuses of psychogeography-not least the gaymale species-are now here to stay and-at core-are unnegotiable….

That is the situation I (we?) find ourselves in……Let us burn our brassieres…

[ more…anon]

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MICHAEL PONTI AND ME

SECOND MOVEMENT

EMBRYO- GAYMAN- PSYCHOGEOGRAPHY, ATHWART MUSIC

BY STEVEN BENSON

MAKING A NEGATIVE COMMENT INTO A POSITIVE PROMPT

“You always write about the same subject/in the same style; with repeated adjectives”.

Initially, the comment was enough to throw me into the utmost state of torpid desuetude; it did not galvanise me into gaiety/gayety at all.

I have written -quite frequently- of these comments; and how to recuperate from them.

Here I re-build(again…): my gay man’s/men’s psychogeographical world, include territories of othered psychology, mirrored in differently-engineered text, punctuation and deliberate:

VARIATIONS ON A THEME.

Oh, I could rant: rant like a nightingale; it would be so beautiful and eloquent.

I could rant in variegated keys, from flat to sharp; even enharmonically.

However, I shall(sort of) metaphoricise all that; sublimate it, exquisitely.

—————— : ———————

Mikey did that; Michael Ponti, I mean.

He raged in Scriabin

He gushed-ejaculatedly-in Medtner.

He Ponti-powered through Rachmaninov.

He camped-up Raff, playing along (unscripted) with the orchestra;

He romped through Reinecke


Meanwhile, in late 70s/early 80s Liverpool, Aberystwyth and Abertawe(Swansea), I did none of these(ok a bit of tentative pivoting between major and minor in Aber…).

That is why I needed Mikey; his music I mean; BECAUSE {to spell it out…}I did NOT

Rage (I internalised, ate and cried)

Ejaculate (except solo:ok, I did that..)

I certainly did not power through my life; nor

Was there campery and romperie.

But yet I DID: the gaiety/gayety would be out; it was, slightly refined and handcraftedly transmuted, in my avid, yeah passionate, attachment to his playing; as I sought (thought they were actually everywhere, Woolworths in particular..)his Vox, Candide and Turnabout {cheaper} LPS.

I loved and spunked via vinyl; and it was not so spectral; a shadowy but (somehow) rich life when Ponti{or a Donizetti end-of-act stretta}was playing

I was talking to a friend -today-re our projected, possible gaymale psychogeography novella-size book: one of his chapter headings is :”Archeologies of gay male psychogeography”.

Archeology is about undelving bones, buildings; traces and stones and bricks; bodies.

The archive is archeology; as I have written: it revivifies the gay male corpus:

(Gay) self archeology{gay is in brackets, because, in the early 80s, it was barely a gay bone…..}

I was already digging for those bones; I even unearthed some; because my subconscious was-spade in hand-excavating: via and across music, literature, railways (I travelled but always failed to arrive…).

I rode my diesel-multiple-unit across the music-lands of Ponti[sensitive, and filigree, in the slow movement of the Scriabin Piano Concerto; pumping and thrusting in Scharwenka]; science-fiction demesnes (otherlands….); Joan Sutherland’s campy fey yet athletic voice. But the dmu was tentative, it stopped at every (unstaffed…untenanted) halt, all stops and request-halts to gay-land; but broke down, and ran out of puff, at some -now railway less- small Welsh platform.

{I like ungainly -and mixed-metaphors: I certainly WAS ungainly and clunky at this stage of my sojourn on earth, and trajectory towards the satellite-moon of THE GAIETY/THE GAYETY}.

Mark-fellow trainspotter- touched my foot(I think…)on said railcar, somewhere betwixt Aberystwyth and Shrewsbury(around Machynlleth?): Ponti played in my head, radiant, cascading pandemoniously to what heaven-knows what cataclysmic climax, (or shunt into the buffers…)

Music is the mixtape to many a gay man’s life; it was, and is, to mine; but now I understand WHY Michael Ponti-primus inter pares(no one did it like Mikey:P)-was(and is, living on in his many recordings)of such import to my life of undelved gaiety and unexcavated gayety.


As I said: Variations on a theme; contrapuntal, AND monodic.

Next: major or minor; Aberytwyth or Pwllheli

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MICHAEL PONTI, THE GAIETY, AND ME

(with homage to Neil Bartlett)

The great and fabulous pianist, Michael Ponti, died on Monday night; a few days before his eighty-fifth birthday.

Michael and I have never met… but he feels very close to me, in some ways(and I have, once, spoken to him by ‘phone).So I shall call him “Michael”.

This, at initial glance, may seem like some genus of stalking.

It is NOT:it is what he meant to me ; and how he has provided the soundtrack/the soundscape/the mind-territory to most of my life (and I know he shall continue so to do, after his death; right now I am listening to him rip his way, joyfully and rambunctiously, through Reinecke:)

I shall start from the beginning. ~

It was-what- 1974 (ish). I was a tormented, repressed, gay teenager(some male homosexual acts had been made legal just about 7 years ago); about the time of the Gay Liberation Front’s first Gay Pride March; EVERYONE (except Peter Tatchell) was still in that stuffed old closet…..there WAS a presumed-to-be-gay (turned out he actually WAS-gay, I mean-because I met him about twelve years later in the Lesbian and Gay Centre in Liverpool) boy at our school; there was another definite one who was done for importuning… the first of the these two was tied to the cloakroom railings for being a puff….not exactly positive role models{well, you see, dear fellow gay man-how COULD we have found ikons(except Mme Tatchell:P)in those drear days of the UNgaiety}.

They were undelvable; but the GAIETY is there always, never leaves one; it twists, it sublimates itself, it hides(sometimes in plain sight); it rears it radiantly bulbous head in ALL kinds of ways. Well, that is how it was/is for me….

[I went a tad Neil Bartlett-camp/talk-directly-to-the reader there, because he is one of us; AND he speaks FOR us-gay men across the years, I mean. Thanks, Neil:) xx]

{ this is MY-Steven Benson’s -voice now, notorious gay of Liverpool…..}, self-proclaimed, announcing (“this is the gay news and this is Steve Benson reading it in the style of Peter Barker…”)thrusting it down those ostentatiously straight fey throats…….I mean my voice:P}

Throughout this backdrop of turmoil, and repression and bullying of other gay teenagers, I coped by adopting a cloak, a semi-disguise (but it morphed into PART of the real, compounded me…): I was the brainy one, helping people with homework, seen as an oddity/quirky/invisibilised in academia rather than-heaven forfend-a homosexual…..

So, I taught myself to speak like-what I thought- a Radio 3 Announcer spoke like (but probably still sounded a bit Scouse); I traversed this barren terrain of travail by adopting semi-personae(which I have now integrated in a whole, gay-I said gay-self.)

Yet,where does Michael come into all this: a straight, slightly dour Italian-American well-butch pianist with hands like thunderclaps?

Well I had to wade my self through the murky clouds of societal (and, thus,internalised) homophobia, somehow…wade through; or creatively side-step.

SO, I loved flamboyant, radiant, gay nineteenth-century piano concerti(and opera, but that is another plot…..). And who played these boisterously belligerent entities -the obscured, obliterated, obfuscated, occluded ex-heros and heroines of high-camp-Romantic piano repertoire -much more than anyone else?These once-revered displays of transcendental (in pianistic technique, and in spiritual terms!)fire-power on the keyboard; now behind the classical “critics”‘ {I exclude the redoubtable Jeremy Nicholas, of “Gramophone”} oblivionizing dead-eye gaze {un-gays}veil, in the remorseless, capital-infused/driven tread of the classical music market, predicated on the whims and fancies, the diktats of the “good”, the “first {and second-}rate” inter alia, ad infinitum, blah…..and other hegemonies:-

VIZ: MICHAEL PONTI; HE played them he made LP after LP album of these composers whose very names are a poem:

Reinecke, Raff, Rubinstein;

All the Rs..

randomly:

Alkan, Medtner, Liapounov,

Glazounov,Henselt, Hiller

Balakirev, D’Albert, Litolff,

Moscheles,

Scharwenka and

My VERY very favourite of MANY very favourites:

Moszkowski(E minor).

{There are more; not to mention slightly more “mainstream’ gargantuan compilations of Rachmaninov, Scriabin and Tchaikovsky}

All these for a slightly quirky, brave(if not foolhardy)record company: (still, just about in existence, in another one of many re-incarnations)Vox. Ponti-accompanied to a lesser extent- by the redoubtable Felicia Blumenthal-was Vox’s “house pianist”, aka workhorse, cheap labour. {google if you want Ponti/Vox anecdotes….}

So, I got to Michael himself in the end; but-next-I am going to go off on a another divagatory ramble round myself, qua my SELF, AND apropos a Michael and our relationship{non sexual/Romantic; and we never met, I hasten to add….}; a listening/performing/BEING long-distance- via the glorious medium of pianistic sound-partnership….

[TO BE CONTINUED, at 33 rpm….]

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SAMPLE CHAPTER. IN RELATION TO PITCH FOR ‘HOMOLANDS:PERSUASIVELY OTHER.THE PSYCHOGEOGRAPHY OF GAY MEN’.BY STEVEN BENSON

‘MY INTERNAL AND EXTERNAL LAND(GAY)SCAPE’. MY PSYCHOGEOGRAPHY

{ 5x A4 Pp, max)

How I live in, ramble through, situate myself in a world which is often inimical to me (as gay man, a very core part of my selfhood).

Steve {self-distancing third, auto-fictive tense….}went on a derive around himself and his gay male logical family.

It was a detournement (hijacking)-by dint of its very essence- of the hegemonic view of viewing and inhabiting the world, inter and outer.

His life-flanerie, QUA, was seen, by some, as a “statement” or “announcement”; whereas, really, it was only about him being a whole gay man.

The first way to be a whole self is to to stop writing about yourself in a divagatory, obfuscatory third person so let ME stop that NOW!…..

The mind(and body); the geography: the environment we not only inhabit, already built for us, but which we CREATE -as gay men- on NOTHING, on shifting sands,or on traces(buried gaymale history)


To live as an openly(in the safer situations) gayman is to engage with bulwarks trying to push at you: heterosexism, homophobia. The options are somewhat limited:

  1. Live in radiant separatism(plus a few allies, high enough up the curve to function as such…..)
  2. TO live a psychologically nomadic existence, forever adapting my persona to the needs of others’ perceptions and tolerance/acceptance limits
  3. To live in/return to the closet of straightjacketed{sic} expectations

[to be progressed……]

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WHAT IS GAY MALE PSYCHOGEOGRAPHY; and DO I WANT TO CO-WRITE A BOOK ABOUT IT[or these two propositions the other way round!] BY STEVEN BENSON

FOCUS!

  1. I KNOW what gay male psychogeography is: I live it; I MAKE it….

2. Do I want to write ANY kind of (indie-)published book, viz a non SELF/group anthologised one?

3.Yes, theoretically……..

4.I said theoretically, because I DO NOT LIKE BEING EDITED; part of the point is NOT to (self-)edit; ok, I do if I want to{MY PRECIOUS BRACKETS AND LONG, LOVELY WORDS:P…….}

5. OK I can handle about 20% of my work being edited; AND I have a minder…..:P (Upto a point; I cannot put all this on him…. not fair)

6. I really feel I could cope with SOME (NOT all….) square/curly brackets being removed.

7 I really feel I could NOT cope with my sentence structures(long and labyrinthine and windy; but sensical) being edited as if NON-sensical; ok, just one or two….

So, worth a go? Just. Nothing to lose*; can withdraw at ANY stage (pitch onwards): agreed with co-author.

That is that sorted; I have 10 days to do my bit of the pitch…..

  • self-esteem is important; remember Queer Bodies? that left some mammoth scars. If I am feeling significantly scarred, more than affirmed by the whole process{get to be a bit famous, legacy, all that…..}I shall withdraw. I left QB determinedly at the point where the losses and wounds exceeded the benefits. So worst that could happen:I pull out and re-group; nothing lost(medium/long-term) and no-one is offended.

So, having a go is 52/48 😛


LET’S START…..

gay

male

psycho

geography

{op cit, ibid, inter alia…., ie I have written on the subject many many times on this blog: use the search, if you are so minded……[to whom am I talking?! that is the point: audiences or not; who is the audience]: I just searched my own TowardsUtopia blog; I have virtually WRITTEN the book; I could even LIFT at least half of my half: gay male archive,gay male spatial /city manifesto, aka my life, and re-envisionning my environment outside the hetheg…

So lets cite myself:

and

and

I shall probably compromise; and (slightly?) re-work my older, extant work{how much does it NEED re-upholstering?; its bloody good(can I say that as the author; it is considered “arrogant”; or is that just a disingenuous game :NOT to say your own work is-EVER, not even always-fab?!)}

That’s part of it, you see:when I re-read my work I think some is (experimentally, on most levels) enterprising and good; others like it; others {bastards:P….} do not; others are indifferent; quite a lot are bemused…..

Then I think:”I want to be understood/listened to (sometimes; other times, I am not bothered); they do not get it; to whom am I trying to communicate; just myself?! my friends who support each other in our writing: few of them but gorgeous they are:).

Anyway, there is a pattern here: circular, thus self-defeating (tho meta….) thinking.

I have decided to, at least, give it a go: I mean the monumental miniature[got a chapter heading already…..]

So- in order not to disappear down that rabbit hole again- here are some projected chapter headings, along with couple of content-indicators.

GAY MALE PSYCHOGEOGRAPHY: An exploration{ a peregrination/derive down its highways and byways…. errr, not sure re that last one; something along these lines….as a subtitle I mean; and my co-writer of course, has an equal input……)

PROJECTED/POSSIBLE CHAPTER HEADINGS (my share):-

  1. Gay men as-qua/by our “condition”/condition-nomads, seeking a home, amidst a large desert (with occasional radiant oases)of heteronormativity. Our gay male minds need mirroring by external geography/environment (see later for concrete examples.)
  2. Concepts of home, un-home, and the UNhomely home(UNheimlisches heimat).
  3. {leads me onto…} Gay men reading WG Sebald…….
  4. THE GAIETY: places to call home, cocks to call home, cafes to call home,gay clubs to call home, lgbt groups to call home.
  5. Gay men have to CREATE-{metaphorical}brick by brick -our OWN individual and collective homes.
  6. As a gay man I HAVE PERSONALLY hefted and delved and created three demesnes (Huge Social group; smaller Book and Writing groups) for lgbt/queer people

{ok, I will edit out WordPress’s random, unwieldy bullet points… easier said than done….:P}

______________________________________

This is/may be going somewhere; AND I/we can pull out at any stage:)


(likely to be…) continued.


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